Without imagination, sincerity, or humor, Netflix's parody of the Eurovision Song Contest is bland and forgettable.…
« read »
From Colman to Chalamet, this royal procession of 2019's screen Kings and Queens celebrates a bountiful year for regal representation.…
« read »
Unlike Ruby’s voluptuous silicone breastplate, the season sags under the weight of its self-indulgent running time.…
« read »
What ought to have been the triumphant return of an acclaimed show ultimately feels pedestrian compared to its earlier successes.…
« read »
Once again, the dangers of theme parks are communicated through the greed of mankind’s scientific endeavors.…
« read »
This straightforward narrative would be unremarkable without such convincing portrayals of love and anguish.…
« read »
Khaou’s filmmaking style is just as pensive and observant as its subject.…
« read »
For those looking for a light-hearted summary of this year's cracking London Film Festival, here is a rundown of the top ten looks from the films offered in the programme.…
« read »
This is as Oscar-bait as they come, but while pandering to its target audience, The Aeronauts also finds time to meet some of our modern demands.…
« read »
The King does not break new ground so much as it lies down on the ground in an act of comfortable complacency.…
« read »