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April 30, 2026
FESTIVALS/REVIEWS

Stockfish Film Festival Review: ‘A Private Life’ Teaches Skeptics to Believe, and Back Again

Advertisements There is something in every atheist itching to believe, and something in every believer itching to doubt. Writer Mignon McLaughlin explored this idea in The Second Neurotic’s Notebook, which has become a roadmap of sorts for my interpretations of the world around me,…

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April 30, 2026

Stockfish Film Festival Review: ‘To The West, in Zapata’ is a Triumph of Documentary Filmmaking

Advertisements A crocodile’s corpse is not something I ever thought I would…

April 29, 2026

Stockfish Film Festival Interview: Will Collins, Oscar-Nominated Screenwriter of ‘Wolfwalkers’, on Irish Folklore and Anti-Imperialism in Animation

Advertisements After a storied career creating two entries in cult classic Cartoon…

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by Bella Vega
March 20, 2026
FEATURES

Weaving Through the Stars: How ‘Iron Lung’ Proved the Worth of Independent Cinema and Audience Autonomy

Markiplier’s history-altering “Iron Lung” video game adaptation led the weekend box office and proved the staying power of fan-led, non-traditional press campaigns.…

by Bella Vega
March 16, 2026
FEATURES

‘The Perfect Neighbor’: The Death of Ajike Owens and the Case for Gun Reform

On the Central Florida case, the history of "Stand Your Ground" laws, and the Oscar-nominated Netflix documentary highlighting it all.…

by Veronica Phillips
February 24, 2026
FEATURES

‘Pillion’, ‘Fifty Shades of Grey’, and Dating the Fetish Object

Advertisements In a stuffy English pub, a boy in a goofy barbershop quartet ensemble is wordlessly cruised by a man in biker’s leather, offered only a time and place scrawled on a holiday card. As directed, the boy arrives in the alleyway…

by Bella Vega
December 28, 2025
FESTIVALS/INTERVIEWS

Interview: ‘Time Life Volume 15. Monument to a Period of Time in Which I Lived’ Director Mungo Thomson on the Stillness of Collective Memory

Advertisements A two-minute curiosity, an exercise in illumination — Time Life Volume 15. Monument to a Period of Time in Which I Lived is a fascinating look at temporary space. As a candle burns down to the end of its wick, we…

by Bella Vega
December 28, 2025
FESTIVALS/INTERVIEWS

Interview: ‘Last Night I Conquered the City of Thebes’ Director Gabriel Azorín on Stillness as Meditation

Advertisements A film that feels necessary to witness on a big screen is a rare sort of magic. With his second feature, Spanish director Gabriel Azorín sought to create that special alchemy. Though at times Last Night I Conquered the City of…

by Bella Vega
December 28, 2025
FESTIVALS/INTERVIEWS

Interview: ‘Drunken Noodles’ Director Lucio Castro on Writing Queer Desire in Reverse

Advertisements There is a single honeyed thread woven throughout the subdued quiet of Drunken Noodles — quite literally. In every change of “act” (which is also a change of lover), there is a title screen. An older man appears from behind, and…

by Bella Vega
December 27, 2025
FESTIVALS/INTERVIEWS

Interview: ‘Tigers Can Be Seen in the Rain’ Director Oscar Ruiz Navia on the Short Film as Elegy

Advertisements Tigers Can Be Seen in the Rain is a languid exploration of temporal space. Using ambient film taken on the streets of urban Montreal — alongside voice messages and images from what seems to be a life well-lived — Colombian writer-director…

by Bella Vega
December 27, 2025
FESTIVALS/INTERVIEWS

Interview: Director Ben Rivers on the Hopeful Dystopia of ‘Mare’s Nest’

Advertisements The magnificence of writer-director Ben Rivers’ latest offering, Mare’s Nest, is entirely in its willingness to hope. In this delightful fable, childhood becomes a universe unto itself, where the greatest hopes of the best of us are met with open arms,…

by Bella Vega
October 31, 2025
FEATURES

Halloween Home Video: TV’s ‘Interview with the Vampire’

Advertisements There are cathedrals everywhere for those with eyes to see. In the case of the riveting AMC+ series Interview with the Vampire, there are shrines for every wayward sinner to create. Anne Rice’s timeless story follows Louis de Pointe du Lac,…

by Bella Vega
September 30, 2025
FESTIVALS/INTERVIEWS

‘Legend of the Happy Worker’ Director Duwayne Dunham on Disney, David Lynch, and His Western Capitalist Fairy Tale

Advertisements Duwayne Dunham’s career is storied across mediums. In film, he’s built a lifelong creative partnership with some of the greats, and his editing hand has touched some of the biggest films of a generation: beginning as an assistant editor on Star…

by Bella Vega
August 31, 2025
FESTIVALS/INTERVIEWS

‘Per Bruixa i Metzinera’ Director Marc Camardons on the Folklore of Fire, Catalan Traditions, and Presenting at Cannes

Advertisements I’ve spent the last two years cradled in a small mountain town in the Pyrenees, the land that forged the blood of my ancestors. I swear they whisper to me at night, half-smoke and half-memory, and for a person who has…

by Alisha Mughal
July 6, 2025
FEATURES

Let’s Rock: The Dialectic of the Sublime in ‘Twin Peaks’

Advertisements Music is a big part of Twin Peaks’ residents’ lives. This is made most evident in 2017’s Twin Peaks: The Return, the third season of the show which picks up where the second season left off in 1991. Nearly every episode…

by Farah Cheded
June 10, 2025
FESTIVALS/REVIEWS

Cannes 2025 Review: Spike Lee’s ‘Highest 2 Lowest’ is Gloriously Chaotic

Advertisements Akira Kurosawa’s High and Low is the kind of film you watch in a state of quasi-paralysis. The 1963 noir is both taut moral thriller and enthralling procedural — a film of relentless jaw-clenching tension and compulsive rhythm that sets the…

by Farah Cheded
June 9, 2025
FESTIVALS/REVIEWS

Cannes 2025 Review: ‘The Phoenician Scheme’ is Shenanigans Over Sentiment

Advertisements Wes Anderson is, quite famously, a details guy. Perfect symmetry, immaculate composition, and absolute devotion to every tiny element of his dollhouse creations — his work (and that of his behind-the-scenes collaborators) is dazzling in its dedication to the little things.…

by Farah Cheded
June 7, 2025
FESTIVALS/REVIEWS

Cannes 2025 Review: At Cannes, ‘The Mastermind’ Said the Unspoken

Fittingly, Kelly Reichardt's Cannes-closer is a portrait of a power-keg period of history glimpsed from the periphery, and a wry, withering film about living without integrity in an era that demands it.…

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