Employing the turbulent Japanese elements, characterized by storms and earthquakes, Makoto Shinkai perfectly invokes the crashing, all-consuming feeling of infatuation.
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A chat with the editor of 'Parasite', Jinmo Yang, about VFX stitchwork, the importance of on-set editing, and finding a good rhythm.
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Nightcrawler addresses the most modern form of political propaganda: television news.
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Mind The Gap is Mill Valley’s gender initiative that aims to amplify work by female filmmakers. By 2020, the Bay Area film
In an age where we expect more from what we watch, this Canadian period drama expands its scope to deliver the touching
In 'The Lighthouse' and 'Harpoon,' maritime lore is an allegory for masculinity and the performance of power.
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An interview with Canadian director Heather Young on animal hoarding and conventional beauty standards.
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Unlike Ruby’s voluptuous silicone breastplate, the season sags under the weight of its self-indulgent running time.
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Richard Bates Jr. returns with his outlandish style to deliver a story about the beef between boomers and millennials.
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'Underwater' is occasionally surprising and proves that Kristen Stewart can excel at anything.
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Though the bigger decisions don't always work, this final installment of the Skywalker Saga is, at its most genuine, a special farewell.
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A film about an amazing woman that feels less like a exploration
'Cats' ushers in a new kind of horror that appears hell-bent on
