Despite its staggering technical achievements, Jon Favreau's remake of The Lion King is little more than a pale imitation.
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With Portrait of a Lady on Fire, Sciamma has delivered a masterful ode to love, desire, and creativity — that feels both fresh and modern —like a myth that’s as old as the hills.
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Unlike Ruby’s voluptuous silicone breastplate, the season sags under the weight of its self-indulgent running time.
Richard Bates Jr. returns with his outlandish style to deliver a story about the beef between boomers and millennials.
'Underwater' is occasionally surprising and proves that Kristen Stewart can excel at anything.
Though the bigger decisions don't always work, this final installment of the Skywalker Saga is, at its most genuine, a special farewell.
The Morning Show proves that the content on Apple TV+ is worth checking out.
A film about an amazing woman that feels less like a exploration of her life and more an examination of her son’s.
'Cats' ushers in a new kind of horror that appears hell-bent on becoming a cult classic.
Greta Gerwig’s sophomore feature is a beautiful rendition of Alcott’s story that gently acknowledges the context that 'Little Women' has lived in for years.
'Children of the Sea' soars when the narrative is minimal and the outlandish, animation driven storytelling takes center stage.
Abel Ferrara's semi-autobiographical work begins with maturity, but ends up being an exasperatingly one-note exercise in self-flagellation.
