Despite its staggering technical achievements, Jon Favreau's remake of The Lion King is little more than a pale imitation.
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With Portrait of a Lady on Fire, Sciamma has delivered a masterful ode to love, desire, and creativity — that feels both fresh and modern —like a myth that’s as old as the hills.
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What ought to have been the triumphant return of an acclaimed show ultimately feels pedestrian compared to its earlier successes.
'Charlie's Angels' delivers in action, humor, and feminism.
Lyra is unique in that she doesn’t let her desperation for parental affection overshadow her morals—despite being a twelve-year-old girl.
'Midway' is a brisk but soulless experience that doesn’t do the historical event justice.
Mike Flanagan delivers a terrifying follow-up to Stanley Kubrick's The Shining.
'His Dark Materials' is of magical Dust, parallel universes, colossal armored polar bears, witches, and daemons—manifestations of the soul in animal form.
The Components of Love is a familiar story about a relationship falling apart.
Audacious but ultimately unsatisfying, Fanny Lye Deliver'd is an entertaining if flimsy folk horror homage.
Imogen Poots can't quite save Lorcan Finnegan's suburban pastiche from feeling like an overlong 'Black Mirror' episode.
Billie Piper steps behind the camera for a messy but fascinating anti rom-com.
