Where Joker highlights how "the people's" interests are essentially opposed to those of "the elite," Parasite insists on the hopeless entanglement between "us and them."
If Joker is meant to represent the corrupting power of self-immolation, of a nihilistic obsession for spectacle, of forging a toxic personal myth in a world where nothing matters, then there's a
Unlike the redemptory finale of Endgame, Legion offers no way out. What it does, however, is to suggest that the only hope we have is to firmly believe that change — or
In times of uncertainty, it's normal to seek models in cinema. In this sense, Roma (A. Cuarón) and The Favourite (A. Lanthimos) have the great merit of posing the right question: