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Lyanna Hindley

Writing about filmmakers while on my way to becoming one.

July 31, 2019January 10, 2020

‘The Iron Giant’, ‘Stranger Things’, and Lenses of Nostalgia

Whilst nostalgic media is warmly welcomed by all and can be a fantastic vehicle for deconstructing various issues of the past, most forms of visual media tend to simply rely on empty homage to appeal to our rose-tinted glass sensibilities and idealised…

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July 26, 2019January 10, 2020

Tarantino’s Tempestuous Relationship with Women

While Tarantino may provide space in his filmography for badass katana-wielding women, they exist merely as extensions of their male counterparts.…

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June 12, 2019January 10, 2020

Artificial Intelligence and Isolation in Duncan Jone’s ‘Moon’: 10 Years Later

Jone's debut never quite asks the elephantine questions of its preceding sci-fi epics but instead endeavours to question the very concepts of emotion and connection. Without which, are we truly human at all?…

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June 3, 2019January 10, 2020

‘Too Late to Die Young’ Review: Finding Freedom in a Post-Pinochet Chile

Any attempts to watch Too Late to Die Young as a narrative drama will prove largely fruitless as it's true merits like in its artistic vision and infectiously calming atmosphere.…

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May 19, 2019

The Enduring Complexity of our Relationship with ‘The Phantom Menace’

Although audience and critic hatred towards The Phantom Menace is now referenced as much as the film itself, it's often forgotten just how largely anticipated and subsequently panned the film truly was.…

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