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Film Daze Staff

March 14, 2023

Film Daze’s Oscars in Review: The Past Year in Film

Read Film Daze's essays and reviews of some of the year's best films.…

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July 20, 2022

The Best Films of 2022 (So Far)

With 2022 more than halfway over, see which films our critics' poll has dubbed the best of the year so far.…

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July 20, 2022

The Best Films of 2022 (So Far) Voting Critics

You read the list of top films of the year — now meet the people who contributed.…

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January 24, 2022

Film Daze’s Favorite Films of 2021

As awards season intensifies, some of the staff of Film Daze choose their favorites from 2021. …

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July 23, 2021

Isolation and Art in ‘Synecdoche, New York’

'Synecdoche, New York' brilliantly creates structures that isolate its protagonist from his identity throughout, until he is left entirely vacant and alone.…

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April 20, 2020

Film Daze Raids The Criterion Closet

The Film Daze team takes a trip inside the Criterion Closet and detail our favorite picks.…

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April 3, 2020

Dismantling Tradition Through Disaffection: How ‘Nashville’ and ‘The Last Picture Show’ Challenge the American Dream

Harboring new filmmaking techniques and similarly daunting atmospheres, The Last Picture Show and Nashville both imbibe a new understanding of American values, proposing America as a malleable idea rather than simply a historical reality.…

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February 28, 2020

‘Blood On Her Name’ Review: An Empathetic Exploration of the Ethos of Guilt

The film often makes the mistake of attempting to disguise itself as a blockbuster, when instead, it should have embraced the thrill and allure of its indie confines. …

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December 22, 2019

‘Cats’ Review: A Feverish Nightmare That’s Just as Bad as Advertised

'Cats' ushers in a new kind of horror that appears hell-bent on becoming a cult classic.…

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November 27, 2019

‘Queen & Slim’ Review: Melina Matsoukas Amasses Love Through Struggle

Melina Matsoukas and Lena Waithe usher in a new kind of love story.…

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