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TIFF19

September 29, 2019

‘The Truth’ Review: Kore-eda’s Latest is a Soft Love Letter to Mothers and Daughters Everywhere

Hirokazu Kore-eda's latest puts emotional truth at the forefront while softly reminding of us of the beauty that remains. …

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September 28, 2019

‘Proxima’ Review: Winocour’s Latest Subverts the Canon of the Traditional Space Film

Depicting strength in femininity and intelligence in pain, Proxima is a necessary feat.…

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September 26, 2019

‘Waves’ Review: A24’s Latest Floridian Dreamscape Crashes Down on You Then Carries You Back to Shore

A24’s latest triumph is an amalgamation of Frank Ocean melodies and stroboscopic visuals.…

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September 19, 2019

‘Motherless Brooklyn’ Review: Why Edward Norton Can’t Do Neo-noir

Advertisements It’s a sunny day in 1950s Brooklyn and Frank Minna is about to be killed at the hands of a group of nameless thugs. His friend and mentee, Lionel, listens intently from a nearby phone booth, memorizing every single detail of…

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