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NYFF57

October 27, 2019

‘The Whistlers’ Review: Catrinel Marlon Stands Out in this Attempt to Reinvent Neo-Noir

The Whisters is an artful take on the action genre that heavily relies on inspiration from classic cinema — such as the suspenseful noir thrillers of old.…

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October 14, 2019

‘Sibyl’ Review: Justine Triet’s Latest is a Beautiful Mess of Emotions

From the beginning to end, Sibyl deals with a beautiful mess of emotions that is a direct result of asinine decision making.…

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October 10, 2019

‘First Cow’ Review: Kelly Reichardt Brings ‘Old Joy’ to the Old West

The director's sixth feature is a tender portrait of unlikely friendship amidst American greed.…

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October 10, 2019

‘Varda by Agnès’ Review: A Final Film but Not a Farewell From the Matriarch of Cinema

Though Varda by Agnès will pull at the heartstrings of her admirers — serving as Varda's last film before death — it will forever be a great introduction to Agnès Varda: as a person, as an artist, and as an inspiring force.…

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September 27, 2019

‘The Irishman’ Review: Martin Scorsese’s Latest is a 209 Minute Epic Examining How the Desire for Complete Authority Rots a Man’s Existence

Martin Scorsese's latest is a masterwork of previous themes with new elements of excitement, despair, and wit.…

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September 23, 2019

‘Atlantics’ Review: Mati Diop’s Feature Debut is More Than a Supernatural Romance

 Atlantics is a great start to a bright future for filmmaker Mati Diop, as she is using the medium to tell a confident story that she knows best.…

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