As the narrative begins to develop, the atmosphere of the film fades to the point of non-existence, and the main plot of the film chokes the eerie tone of the film.…
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Advertisements “No, you aren’t dreaming.” So says a train conductor early in Wim Wenders’ languid, existential meditation Wrong Move—the middle chapter of his Road Trilogy—an offhand comment meant to quell the confusion apparent on the face of Wilhelm Meister, an aspiring writer…
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