2018 comes out blasting with Masaaki’s Devilman Crybaby. The most ultra-violent, sexual, and demonic thing to ever touch Netflix. Devilman Crybaby is
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"She wanted a storm to match her rage."
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In the five years since its debut, Patrick McHale’s 10-episode miniseries, Over the Garden Wall, proven to be one of the most enduring depictions of life in the 21st century, grappling with
In competition for Documentary at this year’s 55th Chicago International Film Festival, Forman vs. Forman takes a look into the life of Czech director Milos Forman.
Killing Eve is shaping up to be very similar to Hannibal due to the relationship dynamics the shows portray, and neither show can be denied of having their main characters infatuated with
From Sci-Fi-London 2019: Shed of the Dead struggles to separate itself from the obvious influence of other, better zombie films.
Premiering at the 2019 Cannes Film Festival Summer of Changsha (Liu Yu Tian) is the latest feature to be directed by Feng Zu.
Diaz’s latest film The Halt (Ang Hupa), which premiered in the Director’s Fortnight section of the 2019 Cannes Film Festival, is a low-budget, sci-fi film that examines the inevitable doom of humanity
After We Leave is unassuming at first, but builds to a finish that will stay with you for a long time to come.
Starring Awkwafina, Lulu Wang's The Farewell will make you feel a range of emotions.
Premiering at Cannes 2019, The Lighthouse, Robert Eggers' highly-anticipated sophomore feature is well crafted film on isolation.
Parasite (Gisaengchung) directed by the critically acclaimed South Korean director Bong Joon Ho is an electrifying and monumental picture.
