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FESTIVALS - Page 30

August 26, 2019

FrightFest 2019: ‘Deadcon’ Review – A Modern Horror That Misses The Mark

Deadcon fails to utilize its contemporary gimmick.…

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August 26, 2019

FrightFest 2019: ‘The Perished’ Review – An Emotionally Charged Blend of Social Issues and Horror

Paddy Murphy blends social issues with horror in a film that will add to the discussion surrounding abortion rights.…

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August 25, 2019

FrightFest 2019: ‘Kindred Spirits’ Review – An Uncomfortable Psychological Thriller

Lucky McKee returns with another female-centric horror as Kindred Spirits has its European premiere at FrightFest.…

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August 24, 2019

FrightFest 2019: ‘Sadistic Intentions’ Review – A Slow Paced Horror That Lacks Excitement

Eric Pennycoff's debut feature is a decent slow-burn that doesn't take itself too seriously – but there's something missing.…

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August 24, 2019

FrightFest 2019: ‘I’ll Take Your Dead’ Review – An Original Heartfelt Horror

Canadian director Chad Archibald delivers a heartfelt blend of genres in his newest horror film.…

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August 18, 2019

North Bend Film Fest 2019: ‘Villains’ Review – A Home Invasion Gone South

A pair of desperate, criminal lovers on the run discover more than what they bargained for when searching for a car to steal.…

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August 17, 2019

North Bend Film Fest 2019: ‘Feral’ Review – A Time Lapse of the Forgotten

Feral is a physical storm that laps over New York City.…

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August 17, 2019

North Bend Film Fest 2019: ‘Extra Ordinary’ Review – Tapping into Another State of Being

A comedy-horror set in a rural Irish town where both the living and the dead reside - both can cause equal amounts of trouble.…

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August 17, 2019

North Bend Film Fest 2019: ‘Koko-di Koko-da’ Review – A Reoccurring Nightmare Influenced by Folklore, Fables, and Grief

A couple on vacation find themselves in the wrong neck of the woods while dealing with their personal traumas.…

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July 30, 2019

Fantasia 2019: ‘8’ Review – A South African Horror That Tackles Guilt And Grief

Harold Holscher’s debut feature 8 is a refreshing take on a familiar trope that pulls from South African folklore.…

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