What if we told you that Matt Dillon’s beauty is more than just a pretty face, and that his sexiness works to allow him to be the quintessential homme fatale? Staff writer Alisha Mughal explains.…
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Veronica Phillips analyzes the peculiar charisma — and sometimes lack thereof — of frequent Scorsese collaborator Robert De Niro.…
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Robert Eggers’ focus on meticulous research and attention to historical accuracy helps to create one of the most immersive and unique films in recent memory.…
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Veronica Phillips muses on her relationship with John Waters and Johnny Knoxville, as they form the three vertices of a filthy, queer love triangle within marvelously depraved cinematic world.…
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The evident influence of the Tobe Hooper classic 'The Texas Chainsaw Massacre' creates a layer of unease, but the true terror of 'X' comes from its voyeuristic nature. …
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Agnès Varda’s ‘Vagabond,’ a cinematic portrait of a female drifter, is driven by the actions of those whose unrealistic desires go unfulfilled.…
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In the year’s two best films (so far), giant red pandas and infinite multiverses make way for expertly delivered themes on generational divides and finding one’s identity. …
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‘Everything Everywhere All At Once' explores the grief of my lesbian identity remaining unrecognized by my mother.…
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The queer pirate rom-com’s main antagonist perfectly encapsulates the struggles of contemporary queer fiction to carve and preserve a space of its own in heteronormative media.…
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‘Lost Highway’ explores many of Lynch’s well-known idiosyncrasies and thematic and visual obsessions.…
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