Through her 'mockumentary' styled films, Cheryl Dunye gave insight into the way Black lesbians construct the world around themselves.
For Pride Month, Toni Stanger examines the cinematic tropes that contribute to bisexual erasure.
Not getting in the robot is why audiences dislike Shinji, but it's also what makes him human.
Chi-Tsung revisits the classic on its 15th anniversary.
For Pride Month, I wanted to make a tribute to films that have meant so much to me personally as well as others in the LGBT community.
For Pride Month, Katie Duggan exalts the camp pleasures of iconic director John Waters and his queer cinematic universe.
David Lynch's detachment is what makes his movies so relatable in Europe. But is this a good thing?
Jone's debut never quite asks the elephantine questions of its preceding sci-fi epics but instead endeavours to question the very concepts of emotion and connection. Without which, are we truly human at
The director's films are ranked, from his 1980 debut 'Permanent Vacation' to this year's 'The Dead Don't Die'
Brian De Palma has proven again and again over his decades-long career to be one of cinema's finest provocateurs, fascinated with how people can manipulate images and how those images can, in
Nisa Khan looks back at Harry Potter and the Prisoner of Azkaban 15 years later.