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Veronica Phillips

March 14, 2024

Sundance 2024: ‘Black Box Diaries’ Exposes the Flaws Inherent to Criminal Justice Responses to Sexual Assault

Black Box Diaries highlights that, as it currently stands, we will not find justice through pathways run by patriarchy and the valuing of the upper-class and higher-powered voices over the marginalized. …

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March 6, 2024

Sundance 2024 Review: Sean Wang’s ‘Didi’ is An Ode to Tween Dread

Didi doesn’t soften the blows of early adolescence in the way many coming-of-age stories tend to, which only serves to make it all the more comforting.…

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March 6, 2024

Sundance 2024 Review: ‘Daughters’ Portrays the Devastating Reverb of American Incarceration

Daughters is essential viewing in its insistence that we sit with the pain, grief, and ongoing that countless American families sit with daily under the oppression of the modern, for-profit prison system.…

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March 6, 2024

Sundance 2024: Reflections on Transience, Rigidity, and Liberation

Against a bigoted statewide backdrop, this year’s Sundance included some particularly liberated, fluid, and complex ideas.…

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January 5, 2024

‘All of Us Strangers’ Review: A Delicately Ambiguous Reflection on Queer Love and Loss

‘All of Us Strangers’ chooses, quite movingly, to look at loving as something stabilizing and true.…

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December 22, 2023

‘Saltburn’ Review: Emerald Fennell’s Fluidless World

'Saltburn' fails to present Oliver’s infiltration of the Catton family, and his slurping up of their blood and guts, with a ruggedness or rawness [...] 'Saltburn' wants the idea of being nasty to be enough for us.…

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December 14, 2023

TIFF 2023 Interview: D.W. Waterson on ‘Backspot’ — Their Sweet and Spunky Queer Teen Cheer Feature Film Debut.

Filmmaker D.W. Waterson discusses their film Backspot, and the importance of queer joy and cheer grit.…

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December 1, 2023

TIFF 2023 Review: ‘Woman of the Hour’ Depicts the High Risk, Low Reward Game of Womanhood

‘Woman of the Hour’ uses the bare bones of its true crime anecdote to explore the impossible nature of constantly performing womanhood “correctly” under the inherent and constant threat of male violence.…

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December 1, 2023

TIFF 2023 Review: ‘Flipside’ Suggests the Finish Line Isn’t the Point

For a film about accepting things not turning out as you once hoped, this documentary is strikingly inspirational and aspirational.…

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December 1, 2023

TIFF 2023 Review: ‘North Star’ Forgets to Take Itself Seriously

Not quite funny and never all that moving, ‘North Star’ is bogged down by all-too-tidy storylines and performances that are half-hearted at best.…

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