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Nathaniel Brimmer-Beller

October 15, 2020

LFF 2020: ‘One Night in Miami’ Review: Regina King Brings Power and Personality to the Table

'One Night in Miami' is one of 2020's most outstanding films.…

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October 9, 2020

NYFF 2020: ‘Slow Machine’ Review: A Raw, Undercooked Swipe at Suspense

Despite a foreboding atmosphere, brisk dialogue, and admirable intentions, the gears of 'Slow Machine' grind to a standstill.…

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October 7, 2020

NYFF 2020: ‘Ouvertures’ Review: Drama Drowned in Languid Indulgence

This NYFF film is self-indulgent and pretentious.…

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October 6, 2020

NYFF 2020: ‘The Woman Who Ran’ Review: Sparse and Slack

Sang-soo's spare approach to a spare story lets down some interesting ideas.…

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October 6, 2020

‘Save Yourselves!’ Review: A Very Fuzzy, Very Funny Apocalypse

Charming performances, clever comedy and pertinent politics make this compact creature feature enjoyable.…

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October 5, 2020

NYFF 2020: ‘Her Name Was Europa’ Review: ‘Til The Mythical Cows Come Home

A unique, if limited, concoction of engrossing documentary effort and artistically challenging form.…

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October 1, 2020

NYFF 2020: ‘Mangrove’ Review: A British Masterpiece

Steve McQueen's 'Mangrove' is confident and effective.…

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September 28, 2020

NYFF 2020: ‘There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse’ Review: Galloping Through an Academic Mystery

Nicolás Zukerfeld's experimental film is elusive and exciting.…

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September 23, 2020

NYFF 2020: ‘Lovers Rock’ Embraces the Love and Life of the Party

Steve McQueen captures love with ingenuity in his latest.…

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September 21, 2020

Merawi Gerima, Writer and Director of ‘Residue’, Discusses Legacy and Community

Nathaniel Brimmer-Beller talks Washington, D.C. and gentrification with 'Residue' writer/director Merawi Gerima.…

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