October 3, 2020 NYFF 2020 Review: Currents Program 2 — ‘Free Radicals’ Spark Revolution in the Digital and Landscape These shorts use digital renderings and uncanny landscapes to start to strip away our humanity and demand action to restore it.… « read »
October 3, 2020 NYFF 2020: ‘Nomadland’ Review: A Stunningly Natural Look at Life on the Road Chloé Zhao’s portrait of van-dwellers offers a poignant look at alternative ways of living.… « read »
October 2, 2020 NYFF 2020: ‘Beginning’ Review: A Divine Depiction of Religious Suffering and Psychological Turmoil The first film from Georgian filmmaker Dea Kulumbegashvili is a harrowing examination of extremism.… « read »
October 1, 2020 NYFF 2020: ‘I Carry You with Me’ Review: Love Across Borders, Decades, and Genres Heidi Ewing uses fiction and documentary to tell the story of a gay couple in Mexico.… « read »
September 30, 2020 NYFF 2020: ‘Zero for Conduct’ Review: An Exciting Boarding School Rebellion Featurette This 1933 French coming-of-age classic is as rebellious as ever in its anti-authority fantasy.… « read »
September 29, 2020 NYFF 2020: ‘The Plastic House’ Review: Cultivating Memory in the Aftermath of Profound Loss Allison Chhorn works through her grief via the healing rituals of physical labor in this personal documentary.… « read »
September 29, 2020 NYFF 2020: ‘Isabella’ Review: A Postmodern Twist on Shakespeare and the Rhythms of Female Relationships Matías Piñeiro’s loose reinvention of 'Measure for Measure' is a meditation on uncertainty and subjectivity.… « read »
September 25, 2020 NYFF 2020: ‘Days’ Review: Making Passionate Music Out of the Mundane Tsai Ming-liang and muse Lee Kang-sheng make something beautiful out of routines.… « read »
September 24, 2020 NYFF 2020: ‘Night of the Kings’ Review: A Prison-Set Tale About the Stories We Tell to Survive Philippe Lacôte’s sophomore feature is a striking work steeped in West African lore.… « read »
September 24, 2020 NYFF 2020: ‘The Human Voice’ Review: A Sumptuous Solo Show Pedro Almodóvar’s latest, formed around monologues by a self-isolating Tilda Swinton, is a feast for the eyes and ears.… « read »