Not getting in the robot is why audiences dislike Shinji, but it's also what makes him human.
In the five years since its debut, Patrick McHale’s 10-episode miniseries, Over the Garden Wall, proven to be one of the most enduring depictions of life in the 21st century, grappling with
Downton Abbey is less of a triumphant victory lap and more of a gentle stroll, a pleasant conversation of a film, reassuring you that it’s ok that things finish as long as
"Weathering With You" operates in the realms of high melodrama, where feelings dictate the story and love always triumphs.
Lucio Castro’s directorial debut is a powerfully woven gay romance and defined by its modernity. The story Castro chooses to tell could only exist in 2019.
Clouds of Sils Maria forms an ultimate thesis of Assayas as a filmmaker and an outward-looking critique of the culture. It proposes that the author is a phoenix, destined to die and be
Not getting in the robot is why audiences dislike Shinji, but it's also what makes him human.
After We Leave is unassuming at first, but builds to a finish that will stay with you for a long time to come.
Last Sunrise threatens to be pointed and timely, but it ends up feeling like most of the discourse on energy and climate change: uncommitted and directionless.
This is the story of a man named John Wick, who is called the Baba Yaga by those who fear him.