An interview with an emerging London-based filmmaker, art director, and creative, Sayna Fardaraghi.
'The Cranes Are Flying' and 'Beanpole' dissect Soviet women’s involvement in and after World War II from different angles, examining how they interact with the societal expectations, constructions, and false narratives of
Built from a virtually non-existent budget out of dogged determination, Take Out Girl speaks to the value of strong collaboration.
The best part about 'Birds of Prey' is that it avoids superficial empowerment in favor of women who are allowed to rage, to kill, to be gloriously violent, to hate and fight
An interview with an emerging London-based filmmaker, art director, and creative, Sayna Fardaraghi.
The latest adaptation of Philip Pullman's novel series is a stunning exercise in world-building and morality.
'The Princess Bride' and 'Donkey Skin' allow us to revel with abandon in our most dreamy and sweet of imaginations, to commit to magic, glitter and wonder in an intellectually and emotionally
A much more self-aware and mature follow-up, Frozen II plunges into folklore and myth to explore notions of belonging and family.
Instinct refuses to shy away from the grotesque, refuses to coddle or shield its viewers from such a violent, heavy topic, and that is exactly what makes it extraordinary.
'His Dark Materials' is classically fantastical, in its mystery and intrigue, but contains a unique emotional and philosophical depth.
Lyra is unique in that she doesn’t let her desperation for parental affection overshadow her morals—despite being a twelve-year-old girl.